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Schießl
Simon Schiessl is an engineer and artist. Trained in physics and engineering in Munich and Berlin, he designs and fabricates interactive media systems. Currently, he is a candidate for an MS degree at the MIT Media Lab. Schiessl is an artist whose
Lo Yo Yo
1988
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1988
Lo Yo Yo is about the enormous volume of electromagnetic information which invisibly permeates the space we live in. The piece randomly scans the radio broadcast bands producing a real time five channel mix. Scanning controlled by an arbitrary,
The Affective Cane
2014
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2014
The Affective CaneArtist: Diana DominguesComment:
Mobility and freedom: affective cane for expanded sensorium and embodied cognition
2017
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2017
Event: Mobility and freedom: affective cane for expanded sensorium and embodied cognitionInstitution: University College DublinComment:
Enactive affective Cane - Bengala enativa afetiva
2020
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2020
Technologies and M- Health: Challenges and opportunities
Pedro Veneroso
Pedro Veneroso, born in 1987, lives and works in Belo Horizonte, Brazil. Bachelor of Visual Arts (EBA/UFMG), master with distinction in Literary Studies (FALE/UFMG) and PhD candidate in Arts (EBA/UFMG), the artist researches the intersections
Towards Enactive Systems: Affective Cane
2018
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and Pedro H. G. INAZAWA and P. R. F OLIVEIRA and Gilda Aparecida de ASSIS and Adson ROCHA. Towards Enactive Systems: Affective Cane 24th ISEA - International Symposium on Electronic Art 1
Mobility and freedom: affective cane for expanded sensorium and embodied cognition
2017
DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International
Mar Canet
Artist: Mar CanetComment:
Hybridentities / Hybridentitäten
2005
Canevacci, Massimo. Hybridentities / Hybridentitäten In Hybrid. Living in Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.
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