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  • L'image paradoxale. Fixité et mouvement
    Chik, Caroline. L'image paradoxale. Fixité et mouvement. Montreal: Presses Universitaires du Septentrion, 2011.
  • CHIK TEK 97: Women Artists Defining Technology
    Event: CHIK TEK 97: Women Artists Defining TechnologyInstitution: CADRE Institute, San Jose State UniversityComment:
  • Memory Theatre VR - video
    Memory Theater VR is an example of a virtual museum that embodies original architectural, interface and visualization strategies that converge the experience of real and virtual formations. The installation itself is set inside a cylindrical space,
  • “ 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan -
    Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition Artist ｜Pey-Chwen Lin Curator ｜Ming Turner Place｜Gallery K – Gallery L, Tainan Art Museum Building 2 Organizer｜ Tainan Art Museum Special Thanks to B.B.ART, Yiiisu Co., Ltd., Cmie
  • Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition -
    Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition Artist ｜Pey-Chwen Lin Curator ｜Ming Turner Place｜Gallery K – Gallery L, Tainan Art Museum Building 2 Organizer｜ Tainan Art Museum Special Thanks to B.B.ART, Yiiisu Co., Ltd., Cmie
  • Alessio Chierico
    Alessio Chierico (Ph.D.) is an interdisciplinary artist, researcher, and lecturer with a background in contemporary art, design theory, and media studies. Chierico is currently a full professor at the Academy of Fine Arts of Frosinone, where he
  • God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series
    Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
  • Elusive Self -
    ELUSIVE SELF A room installation which deals with the capacity of our brain to remember - and to forget, focusing on how we constantly revalue and recreate our relation to ourselves and to our past. Our memory is not like a printed book with an
  • (in)human sciences -
    “(In)human Sciences” was made for the exhibition Neterotopia, curated by Daniele Balit and Pierre Mertens. During March 2006, my work was displayed in the advertising space of the website of the french newspaper Libération. The exhibition was also
  • The Garden (21st Century Amateur Film)
    In 1991 Waliczky wrote the script for THE GARDEN, an animation based on an idea which came from an old piece of Super-8 film, made over ten years before, showing a little girl playing in a country garden. The artist's aim was to portray the
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