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Virtual Lascaux
1996
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1996
Virtual Lascaux is the brainchild of Benjamin Britton, assistant professor of electronic art at the University of Cincinnati. He was inspired to "connect the past to the future" when, after five years of asking, he was eventually allowed a see the
Patricia Olynyk
Patricia Olynyk is an artist, writer, and educator whose work explores science and technology-related themes and the ways in which social systems and institutional structures shape our understanding of the world. She was appointed inaugural director
RECIPROCITY
2017
Diptych: laser-cut and digital print on plexiglass dim: 200 x 135 cm The hanging objects present microscopic image of a carbon substance (up) and its digital mapping (transcription) into a reciprocal space (down) by the use of digital fast Fourier
FERROCRYSTALS
2014
Laser-cut and digital print on plexiglass, projected light variable dimensions Photosensitive images are based on microscopic images of the nanoparticles of a magnetic fluid’s crystallized structure. Digitally processed and laser-treated images of
Grandma and Grandpa
1967
laser etched print; Dimensions25 × 28 3/4 in. (63.5 × 73 cm)
Scanned Laser Displays for Virtual Reality: A Feasibility Study
1993
Holmgren, Douglas and Warren Robinett. Scanned Laser Displays for Virtual Reality: A Feasibility Study Presence 2, no. 3 (Summer 1993).
Autopoeisis
2010
video
"Autopoiesis", 2010 mirror, surveillance camera, laser projector, proximity sensor, computer running custom face-tracking algorithms 20" x 14" x 7.5" / 51 x 36 x 19 cm edition of 6, 1 AP When people look at themselves in this small mirror they see
The Edison Effect
1993
The installation ensemble, «The Edison Effect» connects the Ages of Mechanical, Electronic, and Digital Audio-Technologies. Different interactive systems probe the acoustic inscriptions of vinyl discs, and other objects, with the help of laser beams
Alexandra Dementieva
Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis:
Laser Installation and Performances
1978
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1978
Event: Laser Installation and PerformancesInstitution: Stichting de AppelComment:
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