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ASPECT: The Chronicle of New Media Art
2011
Mittelman, Michael and Phaedra Shanbaum, ed. ASPECT: The Chronicle of New Media Art. Vol.V17:Hi-Tech. Boston, MA: ASPECT, 2011.
Matthew Ostrowski
A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space
ASPECT: The Chronicle of New Media Art
2011
Mittelman, Michael and Phaedra Shanbaum, ed. ASPECT: The Chronicle of New Media Art. Vol.V17:Hi-Tech. Boston, MA: ASPECT, 2011.
ASPECT: The Chronicle of New Media Art
2011
Mittelman, Michael and Phaedra Shanbaum, ed. ASPECT: The Chronicle of New Media Art. Vol.V17:Hi-Tech. Boston, MA: ASPECT, 2011.
Inventions at the Borders of History
2009
Andres Burbano. Inventions at the Borders of History Re-significance of Media Tech (2009).
Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art
2011
Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
Steven Schkolne
Steven Schkolne was born in Cape Town in 1976, and raised in the eastern United States. He received his PhD from Caltech in 2003. He currently teaches software, media, and tech culture as faculty at Calarts. His online work has been associated with
Agueda Simó
Águeda Simó is a multimedia and research artist who investigates and teaches the interaction between art and science using new technologies. She started her artwork in the field of video developing an aesthetic that led her to work with computer
Bill Vorn
Based in Montreal, Bill Vorn is active in the field of Robotic Art since 1992. His installation and performance projects involve robotics and motion control, sound, lighting, video and cybernetic processes. He pursues research and creation on
Li-chn Lin, “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition”
2004
Li-chn Lin. Li-chn Lin, “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” (2004).
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