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  • Gulliver´s Travels: Interacting with a 3-D Panoramic Photographic Scene
    Sommerer, Christa and Laurent Mignonneau. Gulliver´s Travels: Interacting with a 3-D Panoramic Photographic Scene In CICAT’98 8th International Conference on Artificial Reality and Tele-Existence, edited by Virtual Reality Society, 47-53. Tokyo:
  • Pixel+ Space Management. The Mise en Scène of Worlds of Experience in Real and Virtual Space / Die Inszenierung von (Erlebnis-)Welten im realen und virtuellen Raum
    Shamiyeh, Michael. Pixel+ Space Management. The Mise en Scène of Worlds of Experience in Real and Virtual Space / Die Inszenierung von (Erlebnis-)Welten im realen und virtuellen Raum In Ars Electronica 2001: TAKEOVER - Who´s doing the art of
  • Ars Electronica 1988: Art of Scene -
    Event: Ars Electronica 1988: Art of SceneInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Beirut and Media Art today -
    The artist and lecturer at the Académie Libanaise des Beaux-Arts in Beirut, Ricardo Mbarkho, presented the Media Art scene in Lebanon, in which artists reflect the identity crisis in the context of their sociopolitical and geographic environment.
  • Beirut and Media Art today -
    The artist and lecturer at the Académie Libanaise des Beaux-Arts in Beirut, Ricardo Mbarkho, presented the Media Art scene in Lebanon, in which artists reflect the identity crisis in the context of their sociopolitical and geographic environment.
  • Behind the scene
    Event: Behind the sceneInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Scene. Attraction. Threshold
    Event: Scene. Attraction. ThresholdInstitution: Kresija GalleryComment:
  • William Kentridge: Five Themes -
    Combining the political with the poetic, William Kentridge's work has made an indelible mark on the contemporary art scene. Dealing with subjects as sobering as apartheid and colonialism, Kentridge often imbues his art with dreamy, lyrical
  • Art and New Media in Lebanon -
    Ricardo Mbarkho spoke about the emerging artists’ approaches and positions in today’s Lebanese multi-cultural society, where religion, politics, war and post-war environments are always affecting the identity and belonging crisis. The aim of the
  • European Media Art Festival 1991
    This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and
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