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  • Hosale, Mark-David and Chris Kievid. Modulating Territories, Penetrating Boundaries Footprint 6, no. 55- 67 (Spring 2010): 12.
  • Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.
  • Sculptor's dream: a virtual world, with Donald Blevins, David Smalley, and Noel Zahler. The Fifth Biennial Symposium for Arts and Technology, NewLondon, CT (1995).
  • Hosale, Mark-David and Erika Batdorf and Kate Digby and Alan Macy. Research Report: Performance, Art, and Cyber-Interoceptive Systems (PACIS) Proceedings of Movement and Computing conference, Tempe, Arizona (MOCO 2019) (October 2019): 8.
  • Curator: Christiane Paul Works by: Rebecca Allen David Rokeby Christa Sommerer+Laurent Mignonneau Maciej Wisniewski eVolution approaches the realm of artificial life from the perspective of art and takes a look at the different ways in wich artists
  • inSite 2000 -
    inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,
  • David's 3D computer animation "Zikaron" was screened at "La Normandie et le Monde" film festival in the "Experimental" category at the Musée des impressionnismes, in Giverny, France, 2011
  • Burns, David R. “Borders, surveillance, and control in the digital age,” Soft Borders International Network Conference and Festival on New Media Art, peer-reviewed, São Paulo, Brazil, 2010
  • enSight 2006 -
    32 scientists from institutes around the world submitted images from their current work. You can see these images here. 11 British and American artists took up the challenge to dialogue with one of the scientists. The resulting work was exhibited in
  • user_mode is an international, multidisciplinary symposium looking at interactive art and design practices. It examines how creative practitioners engage the emotions of the audience/user. What is meant by emotional engagement? Is it immersion,