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Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
Euopean Media Art Festival 1992
1992
In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
Potential Spaces. Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden?
2017
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2017
Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
Cyberarts: Exploring Art & Technology
1992
Jacobson, Linda, ed. Cyberarts: Exploring Art & Technology. ISBN 0-87930-253-4 th ed.San Francisco, CA: Miller Freeman Inc. Book Division, 1992.
ACM SIGGRAPH Digital Arts Community
Dimensionalization Studies
1994
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1998
Dimensionalization Studies began as an informal collaboration between computer vision researchers and those of us building the stereoscopic camera rig for the See Banff Kinetoscope project, at Interval Research in 1993. The computer vision
From Media to Metaphor: Art about AIDS
1992
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1994
From Media to Metaphor: Art about AIDS was a traveling exhibition. It was shown at: January 20-March 15, 1992 Emerson Gallery, Hamilton College, New York June 19-August 1, 1992 Center on Contemporary Art, Seattle, Washington September 8-October 6,
Arslab
1992
Ryota Matsumoto
Ryota Matsumoto is an artist, writer, and architect based in New York and Tokyo. Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at
The Exquisite Mechanisms of Shivers
1991
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1993
video
The second major interactive installation was entitled The Exquisite Mechanism of Shivers (1993). It should be noted that many of Seaman's works were shown in different states and /or alternate contexts. Each version of the work informs other
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