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  • the beehive -
    In a floot of information words and pictures seem to lose their credibility. Does the culture disappear in the media society? - The beehive is a internet based project creating a web of thoughts. 32 animated and/or
  • Joanna Spitzner. Discussion with Sawad Brooks, Daniel Canogar, Michael Ferraro, Andreas Froech, Greg Lynn, Joseph Nechvatal, and Bill Seaman http://www.everydayarchive.org/pdf/bodymechdiscussion.pdf.
  • Magnet -
    Interactive digital video projection environment 14 x 8 x 7 metres 2 large scale video projections, black and white, multi-channel interactive sound In collaboration with Stuart Jones (sound) Produced whilst Artist In Residence at the
  • The Frog Princess -
    The Frog Princess, "carte blanche" project, Jozsa gallery, Brussels, Belgium, May - July 2009
  • Petite Terre -
    The work is made up of a small natural environment. Four small speakers are hidden under the leaves of the vegetation which covers most of the surface of this world. This world is in fact an island surrounded completely by water. The world is
  • Krüger, Wolfgang and Christian Bohn and Bernd et. al. Fröhlich. The Responsive Workbench: A Virtual Work Environment IEEE-Computer 14 (1995): 12-15.
  • Levin, Thomas Y. and Ursula Frohne, ed. CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, MA: MIT Press, 2002.
  • Frohne, Ursula. Agnes Hegedues: Their Things Spoken In Future Cinema. The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 336-339. Cambridge, MASS: The MIT Press, 2003.
  • Weibel, Peter. Erzählte Theorie - Multiple Projektion und neue Narration in der Videokunst der 90er Jahre In Video Cult/ures. Multimediale Installationen der 90er Jahre, edited by Ursula Frohne, 25-37. Karlsruhe, DE: ZKM Karlsruhe, 1999.
  • Frohne, Ursula. "Show and Tell, The Discursive Idea of Things" and "Horror Vacui" In (dis)Locations, , 512-61; 84-93. Ostfildern-Ruit: Hatje Cantz, 2001.