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II Workshop LART - RECOD - Creative Technologies and Innovation: visualization and machine learning - health and well-being 2016 - 2016

Event: II Workshop LART - RECOD - Creative Technologies and Innovation: visualization and machine learning - health and well-beingInstitution: UNICAMPComment:
Art++. Hors Collection 2011

Lartigaud, David-Olivier, ed. Art++. Hors Collection. Vol.1. Script, Paris: Éditions HYX, 2011.
Laruelle, Against the Digital. 2014

Galloway, Alexander. Laruelle, Against the Digital.. Minnesota: Univ Of Minnesota Press, 2014.
Media Art Histories and the Political Iconography of Information Societies 2017 - 2017

Event: Media Art Histories and the Political Iconography of Information SocietiesInstitution: Lasalle College of ArtsComment:
Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: Lascaux 1993

Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: LascauxArtist: Peter WeibelComment:
Walker Art Center 1940
"UpStage, cyberformance et assistance intermédiale" - chapter inThéâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7; 2014

Jamieson, Helen Varley. "UpStage, cyberformance et assistance intermédiale" - chapter in Théâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;. Ars du spectacle - Images et sons, Lille, France: Presses
Botox Injections in Larynx as a Treatment for Vocal Cord Dysfunction 2012

Andres-Leonardo Burbano-Ceron and Adriana Barreto-Sosa and Aida Gonzalez-Carsolio and Andrea Aida Velasco-Medina and Guillermo Velázquez-Sámano. Botox Injections in Larynx as a Treatment for Vocal Cord Dysfunction WAO Journal (FEBRUARY 2012):
Laser Installation and Performances 1976

A custom laser scanning system was developed that could project the laser beam as shaped planes and cones of light in a full 360-degree space around the projector. Scanning and rotation of the laser mirrors was controlled by a specially made analog
Lorna 1979 - 1982 video

LORNA 1979-1983 A.D. A.D. "A precondition to video is that it does not talk back. It absorbs, rather than reflects." Preliminary Notes, 1981 While video was like a reflection that did not talk back, interactive works were like a trick, two

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