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  • Marnix de Nijs is a Rotterdam based artist who explores the dynamic clash between bodies, machines and other media. His works include mainly interactively experienced machines that play with the perception and control of image and sound, but also,
  • Joelle Dietrick's paintings, drawings, and animations explore infrastructure, particularly housing, and its manipulation by automated, global economic systems. Her work has been shown at the Museum of Contemporary Art Jacksonville, Transitio_MX in
  • Skulls
    Robert Lazzarini composed a sculptural installation of four skulls hung about eye-level and protruding about a foot from the walls of a small, well-lit, clean and bright room. To create this deceptively low-tech installation, Lazzarini
  • Savani, Jackie. High Tech artists Create Interactive Installation Addressing Poetics of Presence Engineering Today, UCSB Journal XXVIII (2002).
  • Diputación de Malaga, ed. Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music). Malaga, Spain: Centro de Ediciones de la Diputación de Malaga, 2004.
  • Franz Fischnaller was the co-founder of F.A.B.R.I.CATORS and is now the art and production Director. He is a Professor at the Università degli Studi di Firenze (University of Florence, Italy), and teaches art and multimedia on the Master of
  • Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
  • Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,
  • Fleischmann, Monika and Wolfgang Strauss. "Cyber City Flights - East meets West" and "Home of the Brain" Tech Image 6, no. 2 (1993).
  • Dery, Mark. Fast forward: Art Goes High Tech ArtNews Associates 92, no. 2 (February 1993): 74.