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steamingmedia.org
2002
video
Two fully functioning saunas are linked via the Internet, equipped with media streaming and interactive video tools. Though perhaps on different continents, the two saunas position their users in almost identical physical states, in a sense closer
International Feel
2011
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2011
"International Feel" was David Rokeby re-installation of his earlier work "Body Language." It took place in the context of the Strategic Arts Initiative 2.0, a re-installation of the seminal 1986 telepresence exhibition "Strategic Arts Initiative"
Remote Impressionist Art
2006
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2006
Generative art "en plain air": In four squares appearing on the computer screen the viewers of remote impressionist art (2006) see cutouts from heaven above not closer defined places on this world: grey, blue, black white and every shading you can
All you can see
2008
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2008
With common video formats, almost 17 million different colours can theoretically be represented on the screen today. If these are shown all at once, a condensation in pure white is generated in the digital picture production. Translated into a
We are Stardust
2003
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2009
video
"We Are Stardust" is a commissioned artwork by the Williamson Gallery at the Art Center College of Design, and the NASA Spitzer Science Center at the California Institute of Technology in Pasadena. The focus of the project is the Spitzer Space
Mutatis mutandis
1995
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1995
"Mutatis mutandis" is an interactive computerised installation. Its hypermedia project realised from digitalized video images and sounds. It addresses issues concerning poetry and philosophy, and explores the language of interact ivity in the
Torso
1985
A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
Habeas Corpus
2006
Habeas Corpus is a permanent large scale publicly sited immersive interactive installation composed of two parts. The first part is encountered on entering the subterranean area of the Allen and Overy building in the City of London. As the viewer
reWrite
2007
The focus of an artwork such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the relationship between the viewer and the artwork is explicit and active. This act of interaction functions to raise
Computer Graphics 1984
1984
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1984
Computer generated large scale ink plots Indian Ink on Fabiano 300 gsm paper These works were produced using a large scale Interact IV flat bed plotter. A set of abstract images, each measuring 200 x 200 cms. The works were produced by
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