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  • Christina McPhee’s images move within a matrix of abstraction, shadowing figures and contingent effects. Her work emulates potential forms of life, in various systems and territories, and in real and imagined ecologies. Her dynamic, performative,
  • Cade, France. machine affection NEURAL 32 (Spring 2009).
  • Cadet, France. Digital Arts, Tendencies, Artists, Places and Festivals MCD et M21 Editions (2008).
  • SweetPad
    Cadet, France. SweetPad In Homo Ludens Ludens / Playware/ Gameworld, Gijon, ES: LABoral, Centro de Arte, 2008.
  • Cadet, France. Art Embodies A-Life: The VIDA Competition Leonardo 41, no. 1 (2008).
  • Lisa Cianci (A.K.A Blackaeonium) is an artist, archivist, and digital media developer from Melbourne, Australia. She makes art in both analogue and digital formats, with her current focus on real-time, code-driven animations, digital video, and
  • Dr Paul Thomas, is Professor of Fine Arts at, UNSW Art and Design, UNSW Sydney. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference series since 2010. In 2000 Paul instigated and was the founding Director of the Biennale
  • Ikeda, Ryoji. date | place. Atelier de Création Radiophonique(ACR), France Culture: Èdition DIS VOIR, FR, 2010.
  • FLORENCE DE MEREDIEU. HISTOIRE MATERIELLE ET IMMATERIELLE DE L'ART MODERNE. France: Larousse, 2008.
  • Augé, Marc and José Jiménez and Mary Anne Staniszewski. On Translation: Petit et Grand. Muntadas. París, France: Instituto Cervantes, 2008.