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  • Andy Gracie
    "My artistic practice is characterised by an in depth engagement with process, scientific methodologies and the nature of experiment. Here 'experiment' refers both to the act of acquiring knowledge and information through testing scenarios, and to
  • HISTOIRE MATERIELLE ET IMMATERIELLE DE L'ART MODERNE
    FLORENCE DE MEREDIEU. HISTOIRE MATERIELLE ET IMMATERIELLE DE L'ART MODERNE. France: Larousse, 2008.
  • Human-Mediated-Communications
    Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.
  • Curly, Larry and PoMo
    Paterson, Nancy. Curly, Larry and PoMo In Vision Ruhr, edited by Westfalisches Industriemuseum Zeche Zollern II/IV and Dortmund Museum am OstwallOstfildern-Ruit: Hatje Cantz, 2000.
  • MOCAD - Museum of Contemporary Art Detroit - Detroit (USA) / "Parallels and Peripheries" / Curator : Larry Ossei-Mensah
    Event: MOCAD - Museum of Contemporary Art Detroit - Detroit (USA) / "Parallels and Peripheries" / Curator : Larry Ossei-MensahInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Djehan Kidd
    Djehan Kidd is an "immersive" artist & pionneer of the metaverse, she is based in France and Venice in Italy. She creates the largest and longest running futuristic city in the metaverse since 2007 as part of the mission of the cultural non profit
  • Brandhorst
  • Some Pigeons Are More Equal Than Others
    Bismarck, Julius von and Julian Charrière and Eric Ellingsen. Some Pigeons Are More Equal Than Others. Zürich: Lars Müller, 2015.
  • Biocybrid Ouroborus: geographisms of the extase -
    Workshop and exhibition, results from the collaborative practice of a group of scientists and artists who were involved in all stages from the preparatory stages, in Brazil, to the event in Havana. LART, in the Art and Science circuit by proposing
  • Media Forum 2001 -
    Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
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