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To Touch
1993
It seems that a simple wooden table is the only object in a smoothly lighted room. To touch - to finger, to contact, to handle. The common museum traditions, meaning that the viewer i
s a
viewer from di
sta
nce, are turned around. The art pieces
sta
rts
Tangible Viewpoints
2000
-
2001
Tangible Viewpoints i
s a
system for interacting with a character driven narrative. The different segments of a multiple point-of-view story are organized according to the character viewpoint they represent, as well as their place in the overall
Bricks
1995
-
1995
Bricks i
s a
Gra
spa
ble User Interface which allows direct control of electronic or virtual objects through physical handles for control. These physical artifact
s a
re essentially new input devices which can be tightly coupled or attached to virtual
still living (a, b, e, f, g, h, i, j), 2006
2006
-
2006
still living (a, b, e, f, g, h, i, j), 2006 Series of infinite vi
sua
l in
sta
llations. Computer, specific algorithm Courtesy: the artist This series of vi
sua
l in
sta
llations revolve
s a
round the concept of living graphics: graphics using
max mip tex
2001
-
2001
chad and I were playing around with running some of our half-life levels on a Hercules card [KyroII chipset] using the wrong drivers [Nvidia Geforce 2] . we suspected this might lead to something interesting, as they have very different ways of
Homefront
2005
-
2005
HOMEFRONT Surveillance, monitoring, and tracking technologie
s a
re not only media of control; they are media of self-reflection and self-awareness. There i
s a
reciprocity between the way that control technologies function and the way that identity
Contre Temps
2013
-
2013
When Olga Kisseleva was invited to do a performance at Louvre Lens, she analyzed the layout of the museum. The Louvre Lens building, which is made up of several elongated and slightly curved modules, seems both open (to viewing, to interpretation,
Taken
2002
-
2002
"Taken" i
s a
surveillance in
sta
llation that provides two readings of the activities in the gallery
spa
ce. A large gallery
spa
ce has one wall taken up by two very large projections. On the left hand side, gallery visitor
s a
re extracted from the
The Experimental Party
2002
-
2004
"The Experimental Party" was conceived a
s a
n artistic critique of the political process. Based on the model of the political party, an active vehicle for citizen
s a
ction, the Experimental Party i
s a
shift to experimental thinking, a mediated
Animal Infected
2011
Infections of a mental kind and the examination of the animalistic are the topics of the Zurich media art group ‹knowbotic re
sea
rch› in their most recent project ANIMAL INFECTED. The infection takes place subtly, for in
sta
nce with an expres sion
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