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Romeo to Tripoli
2006
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2008
Based on a hydraulic microphone and spark gap transmitter devised by Q.Majorana and G. Vanni in 1905. A stream of vitriolic acid, modulated by sound waves, controlled the flow of electricity to the transmitter and used to make the very first long
Paul DeMarinis
2004
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2004
Event: Paul DeMarinisInstitution: Braunstein Quay GallerySan FranciscoComment:
Paul DeMarinis: Firebirds
2004
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2004
Event: Paul DeMarinis: FirebirdsInstitution: Singuhr - Hörgalerie in ParochialComment:
Paul DeMarinis: the Edison Effect and other works
2000
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2000
Event: Paul DeMarinis: the Edison Effect and other worksInstitution: Art Center College of DesignComment:
Emerging Media, Memory and Recollection, Jim Campbell and Paul DeMarinis
2000
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2000
Event: Emerging Media, Memory and Recollection, Jim Campbell and Paul DeMarinisInstitution: Foster GalleryComment:
Paul DeMarinis
2000
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2000
Event: Paul DeMarinisInstitution: Richard L. Nelson Art GalleryComment:
Excavated Sounds: Paul DeMarinis
2000
Event: Excavated Sounds: Paul DeMarinisInstitution: Otso GalleryComment:
SUSPENSION – CIRCLE-SQUARE
2019
video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.
Narcissus' Well: Transformations
Live audio-visual transformation and dematerialization of the viewer. [prototype] (source: http://www.zakros.com/projects/narcissus/index.html)
Dematerialization, Media, and Memory in the Digital Age
2011
Burns, David R.. Dematerialization, Media, and Memory in the Digital Age In Proceedings of ISEA 2011, the 17th International Symposium on Electronic Art, Istanbul, Turkey: 2011.
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