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  • Duction
    Tomas, David and Michele Theriault. Duction. Bohemia, NY: Intra Media Publishing, 2001.
  • A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space
  • Tomas, David and David Bergevin. The Encoded Eye, the Archive, and its Engine House .
  • Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MASS: MIT Press, 2000.
  • Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.
  • Burns, David R.. The Valuation of Emerging Media Arts in the Age of Digital Reproduction In Electronic Visualisation and the Arts (EVA), London, UK: Electronic Visualisation and the Arts (EVA) London, 2010.
  • Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • David Tomas is professor in the École des arts visuels et médiatiques at the Université du Québec Montréal. In addition to being an artist whose multimedia work explores the cultures and transcultures of imaging systems, Tomas has written articles
  • Burns, David R.. Digital Media, Memories and Representation :: Rebirth In Proceedings of ISEA 2009, The 15th International Symposium on Electronic Art, : International Symposium on Electronic Art (ISEA), 2009.
  • Burns, David R.. Dematerialization, Media, and Memory in the Digital Age In Proceedings of ISEA 2011, the 17th International Symposium on Electronic Art, Istanbul, Turkey: 2011.