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freequent traveller
2002
-
2002
Freequent traveller i
s a
n interactive in
sta
llation by the Berlin based artist Susanne Schuricht. The interface consists of a hammock, whose movement is tracked by a custom-made hardware interface. The incoming data are then interpreted by a special
Poetrica
2003
-
2004
Poetrica i
s a
n investigation about reading and reception in entropic and cybrid situation
s a
nd a practice of appropriation of the advertisement system as public
spa
ce. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in
Cacophony (Scene 2)
2003
Cacophony (3 minutes) weaves historic events in the fields of art and the politics. It nears different situation
s a
nd it presents them vi
sua
lly from the point-of-view of the media, the spectacle, dissolving their contents in a crescent aesthetic &
Spa
tial Sounds (100db at 100km/h)
2000
-
2000
Spa
tial Sounds (100dB at 100km/h) i
s a
n interactive audio in
sta
llation by Marnix de Nij
s a
nd Edwin van der Heide. In this engine-powered work, a speaker is mounted onto a rotating arm that is several meters long. Like a watchdog, the machine
sca
ns
Under Fire
2004
-
2005
UNDER FIRE i
s a
n ongoing art and re
sea
rch project that explores militarization and political violence. It delves into the structural, symbolic, and affective dimensions of armed conflicts: the organization, representation, and materialization of
Sma
rt Tools
2001
-
2001
The word "haptization" means, "making it possible to touch". A typical example is the usage of haptic display devices in order to touch computer-generated images. Therefore, it is often called "haptization of information". Previous work on
Unformed Symbols: Another Side
2008
-
2008
As the work Unformed Symbols (2006), the work Unformed Symbols: Another Side (2008) recreate
s a
card game, but this time as if it were seen from the reverse side, with only the plain backs of cards visible. Real card
s a
nd projected images of
On tran
sla
tion
2008
-
2010
Every day we have to make decisions. These are decisions between affirmation and negation, between ye
s a
nd no, between 1 and 0. The path i
s a
long one that finally lead
s a
tran
sla
tion of a text to its new destination. There it becomes obvious that
House
2007
-
2007
“House” by
Sta
nza, i
s a
dynamic public sculpture viewable over the internet. House is not a mute memorial to a related past but a live embodiment of change and renewal. House describes the
spa
ce, a real Victorian terraced house, in this case, that
red fungus
2010
-
2010
Generative in
sta
llation, stickers on the floor Supported by: Mondriaan Foundation, Ámsterdam Courtesy: Blue Fungus (of which Red Fungus i
s a
variation) belongs to the collection Stedelijk Museum Amsterdam Red Fungus investigates the relation
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