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MOON Martina Zelenika
The interdisciplinary artist MOON a.k.a. Martina Zelenika is visionary artist with a unique artistic expression. Artsist MOON combines the must up-to-date digital technology along with an analogue one to embody spiritual dimension of cosmology and
Abandoned
2010
Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,
Searching instead of Finding: The Digital Archive as Find Engine.
2014
Fleischmann, Monika and Wolfgang Strauss. Searching instead of Finding: The Digital Archive as Find Engine. In Futuros Possíveis: Arte, Museus e Arquivos Digitais, edited by Giselle BeiguelmanSão Paulo: Periópolis/ Edusp, 2014.
BEAP 2002: PREMISE
2002
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2002
BEAP is an international event which includes a conference,symposiums, forum and exhibition presenting the theoretical, cultural and philosophical basis of Electronic Arts practice. The inaugural thematic focus for BEAP is LOCUS, the place where we
Eurographics 2006
2006
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2006
The annual main conference of the European Association of Computer Graphics, Eurographics 2006, will take place from the 4th to the 8th of September 2006 in Vienna, Austria. It is co-organized by the Vienna University of Technology and the Austrian
Google Art or How to Hack Google, Rhizome and New Museum
2007
n an information-based age, the ability to search and organize information amounts to power. Search engines shape knowledge, modulate web traffic, and contribute to the creation of new semantics and meanings. Currently, Google's influence is
passage
2007
video
Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
the puppet(s)
2005
video
Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.
inSite 2000
2000
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2001
inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,
VideoFest '91
1991
1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use
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