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Miroslaw Rogalla
"A central concept of my artworks is 'freedom of speech.' My understanding of freedom and democracy is not only "rights"and "privileges" the traditional definition in the USA but also of responsibilities. Interactive Media give audiences the
Sustainable Cinema: The Moving Image and the Forces of Nature
2012
Hessels, Scott. Sustainable Cinema: The Moving Image and the Forces of Nature In Biologically-Inspired Computing for the Arts: Scientific Data through Graphics, edited by Anna Ursyn, 90-104. New York: IGI Global, 2012.
Engineered Nature: art and consciousness in the post-biological era.
2006
Ascott, Roy. Engineered Nature: art and consciousness in the post-biological era.. Bristol: Intellect Books, 2006.
Performing nature. Explorations in ecology and the arts
2005
Giannachi, Gabriella and Nigel Stewart, ed. Performing nature. Explorations in ecology and the arts. Oxford/Bern: Peter Lang, 2005.
Art-Nature, catalog
2009
Kisseleva Olga. Art-Nature, catalog. Sancy, France: Horizons, 2009.
Michael Saup
“Art is the Signature of our Species.” "Michael Saup’s work focuses on the underlying forces of nature and society; an ongoing research project into what he calls the “Archaeology of Future”. His research focus in recent years has been on
Vanessa Vozzo
Vanessa Vozzo is a media artist and professor. She has been working in art since 1990. Specializing in media art from 2005, particularly in the field of art and science/hybrid art and interactive/open documentary. She uses interactive, immersive and
Sensor-Based Manipulation Planning as a Game with Nature
1987
Goldberg, Ken and Matthew T. Mason and Russell H. Taylor. Sensor-Based Manipulation Planning as a Game with Nature In Robotics Research, edited by R. Bolles and B. RothCambridge, MAS: MIT Press, 1987.
"7 envies capitales", for catalog "Art grandeur nature"
2004
Marguerin Mathieu. "7 envies capitales", for catalog "Art grandeur nature". Saint-Ouen, France: ,, 2004.
Remediating Still Life, Pencils of Nature and Fingerprints
2013
Hauser, Jens and Paul Thomas. Remediating Still Life, Pencils of Nature and Fingerprints In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.
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