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RISIKO
2017
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2017
Installation Europe, North Africa and the Middle East enclose the Mediterranean, generating a space "in-between": refugees seek to traverse it either from the Maghreb states or from Turkey towards Europe; in contrast, Europe creates both real and
Firebirds
2004
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2004
Oracular flames kept captive within birdcages recite speeches of some political leaders of the twentieth century. Gas flames, suitably modulated by electrical fields can be made to act as omnidirectional loudspeakers of surprising clarity and
A Light Rain
2004
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2004
Viewers take an umbrella, walk into the rainbow, and hear music played by water streams. (source: www.well.com/~demarini)
Tongues of Fire
2004
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2004
Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. (source: www.well.com/~demarini)
in/compatible Intervention @ Transmediale 2012
2012
New Transmediale director Kristoffer Gansing censors "offensive AR art." The 2012 Transmediale stood under the theme "in/compatible," celebrating 25 years of art interventions and proclaiming in the curatorial statement that: "Contrary to the fear
Wavescape
2003
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2003
A permanent interactive sound installation for the Ft. Lauderdale International Airport. (source: www.well.com/~demarini)
RainDance
1998
Streams of water, encoded with sound information, fall from specially designed modulating nozzles. When visitors position their umbrellas under the streams, the umbrellas become loudspeakers, revealing music, noises, voices and rhythms.
Dust
2009
In his new work, Dust, DeMarinis explores facial similarities, pairs of faces, and the abstraction of images into the dust. DeMarinis presents a fragment of this collection of likeness-pairs, scanned sequentially into the light-memory of
(Tommy Franks) Dérive Quebec
2003
(Tommy Franks) Dérive QuebecArtist: Paul DeMarinisComment:
Moondust Memories
2001
Moondust MemoriesArtist: Paul DeMarinisComment:
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