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  • Shanken, Edward A.. Cybernetics and Art: Cultural Convergence in the 1960s In From Energy to Information: Representation in Science, Technology, Art, and Literature, edited by Linda Dalrymple Henderson and Bruce Clarke, 255-277. Palo Alto, CA:
  • Wands, Bruce. Digital Creativity. Techniques for Digital Media and the Internet. New York: John Wiley and Sons Ltd., 2002.
  • Sterling, Bruce. Art crosses the Borders XL magazine (2011).
  • Wands, Bruce. Art of The Digital Age. 1st Edition th ed.London + NYC: Thames & Hudson, 2006.
  • ARTEC 95 -
    Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
  • Scholar: Bruce Jenkins
  • Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.
  • Brucker-Cohen, Jonah. Real Snail Mail Turns Email into Slower Email .
  • Rewind to the future -
    Rewind to the future mit Eija-Liisa Ahtila, Dara Birnbaum, Klaus vom Bruch, Peter Campus, Luc Courchesne, Jordan Crandall, Stan Douglas, Douglas Gordon, Dan Graham, Ingo Günther, Gary Hill, Nan Hoover, Felix Stephan Huber / Philip Pocock, Jodi ,
  • 2016 Pushkin Museum House of Impression exhibition (26.05.2016 – 30.09.2016) Curator: Olga Shishko & Elena Rumyantseva Featuring: Chantal Akerman (Belgium-France), Tatiana Akhmetgalieva (Russia), Mona Hatoum (USA), Marianne Heske (Norway), Nan