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In this project, Davis broadcast recorded vaginal contractions of ballerinas and beamed this interpretation of ‘human conception’ to the Epsilon Eridani and Tau Ceti star systems using Massachusetts Institute of Technology’s Millstone radar. In

The "US Department of Art & Technology" is an artist-led, virtual government agency. The US DAT functions as a conduit between the arts and the broader political and economic culture for facilitating the artist' need to extend aesthetic inquiry

Sustained Coincidence is an interactive installation activated by the spatial relationships of visitors within a gallery. The piece consists of a series of incandescent lightbulbs that light up in reaction to the participants’ positions, in such a

"Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco, which took place on October 2nd 1968. In the piece, participants speak freely into a megaphone placed on the "Plaza de las Tres

Joe Davis concepted "Microvenus" explicitly as an artwork and living art. His aim is the investigation of possibilities of communication with aliens and the search of longliving informaiton carriers. The main aim of the project is the investigation

This installation features the debut of an important new addition to the SCMA collection, “What Will Come” (2006), a major film by the South African artist William Kentridge. One of the most innovative aspects of Kentridge’s work is his hand-drawn

Net-Project The "Telematic Manifesto" is a participatory, collectively-generated Net Document that articulates a vision for the future of Telematic Art as a socio-cultural force in the 21st century. This project investigates Telematic Art as the

Triennale di Milano VISIONI DIGITALI: FUTURE CINEMA - TRAILER Special Guest Incontro con Maurice Benayoun new media artist Anteprima Computer Animation Festival - SIGGRAPH 2008

A Video Essay about Brazilian artist Eduardo Kac by Tomas Durkin 

An expanded and redesigned version of the PFOM installation, initially produced for the Centre Pompidou, Paris, in 2001. The public contributes data about an object in their possession to a database that accumulates throughout the exhibition's