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  • Nicole Stenger
    Born in Paris. Lives in California Prix Villa Medici Visiting Scholar HitLab 1991-1992 Research Fellow MIT (Visual Arts Program) 1990-1991 Research Fellow MIT (CAVS) 1989-1990 Prix EDF Foundation/Pleias 1989 MA in Art and Technology, (Paris U) MA
  • Pièces à conviction -
    1985, La dernière biennale de Paris. Personne ne le savait à l’époque. En pleine montée du post-modernisme je m’interroge sur le sens de la pratique artistique au milieu des années 80. 8 artistes contemporains seront «mis en situation», sommés de
  • Golden Blessings SG50 -
    How much do you need to be happy? A participatory augmented reality art project, engaging and questioning mechanisms of consumption and the commodification of happiness. This second edition of "Goldsegen" celebrated Singapore's 50th anniversary and
  • LAb[au]
    LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress
  • VideoFest '93
    VideoFest `93 had more to offer than ever before. On the one hand we offered a core programme of the usual high quality. On the other hand we can now boast greater space for all activities – the programme, installations, market, conferences, special
  • Eric in Orense v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: March 2001 (detail: horizontal crop) This is a
  • bug[lab]02 -
    The installation gathers a group of 10 robotic dogs in which some punctual and random bugs emerge (this is almost a pleonasm) in order to ironically illustrate the potential consequences of some functional problems in the system. It consists of
  • It´s time
    IT'S TIME challenges one of the overarching question that pertains to the post-modern world: the acceleration of time induced by collective behaviors, and the level of frustration it induces on individuals. IT'S TIME aims at investigating several
  • Collaborative Visualization: New Advances in Documenting Virtual Reality with IGrams
    Sandor, Ellen and Janine Fron and K Greiber and Fernando Orellana and Stephen Meyers and Dana M. Plepys and M. Dolinsky and M. Dastagir Ali. Collaborative Visualization: New Advances in Documenting Virtual Reality with IGrams Proceedings of the
  • ARTEC 89 -
    The theme of the Biennale is 'the possibility for art and technology: high technology art as modern art, computers and artistic expression, high technology art as a means of expression, high technology art in urban environments'. It offered and
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