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still living (a, b, e, f, g, h, i, j), 2006
2006
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2006
still living (a, b, e, f, g, h, i, j), 2006 Series of infinite visual installations. Computer, specific algorithm Courtesy: the artist This series of visual installations revolves around the concept of living graphics: graphics using
Pulse Tank
2008
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2008
Pulse Tank is an Interactive installation where the heart rates of members of the public are detected by sensors and converted into water waves in a ripple tank. A light show is created by the resulting waves and their interaction. To participate,
Horizon
2008
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2008
Horizon is a narrative clock made out of images accessed in realtime from webcams found in every time zone around the world. The result is a constantly updating array of images that read like a series of movie storyboards, but also as an
Subtitled Public
2005
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2005
Subtitled Public consists of an empty exhibition space where visitors are detected by a computerised surveillance system. When people enter the space, the system generates a subtitle for each person and projects it onto him or her: the subtitle is
Surface Tension
1992
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1993
Surface Tension is an interactive installation where an image of a giant human eye follows the observer with orwellian precision. This work was inspired by a reading of Georges Bataille’s text The Solar Anus during the first Gulf War –the first
Synaptic Caguamas
2004
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2004
Synaptic Caguamas is a kinetic sculpture consisting of a motorized Mexican “cantina” bar table with 30 “Caguama”-sized beer bottles (1-litre each). The bottles spin on the table with patterns generated by cellular automata algorithms that simulate
UNPREPARED PIANO
2010
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2010
In Unprepared Piano, a Yamaha disklavier grand piano is connected to a database of music MIDI files appropriated and compiled from all over the web. This library of electronic scores is then “performed” automatically according to a simple set of
Light from Tomorrow
2006
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2006
Light from Tomorrow is an artwork by British artists Thomson & Craighead. It centres on an expedition to The Kingdom of Tonga, where tomorrow’s outdoor light-readings are broadcast in close to real time through The International Dateline to
There Is No Business
2009
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2009
TITLE: There is no business ARTIST: Rafael Lozano-Hemmer WORK DATE: 2009 CATEGORY: Installations MATERIALS: Installation néon, métal, timer / neon installation, metal, timer EDITION/SET OF: 1/6 SIZE: h: 60 x w: 60 x d: 8 cm / h: 23.6
Weather Gauge
2006
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2006
In Weather Gauge, numerical weather data from over 150 countries is simultaneously represented in a gallery forming an array of hypnotic animated data referencing a huge global spread of live information. Each piece of weather data rotates between
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