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The Future of Video Games as an Art: On the Art of Playing with Shadows
2001
Fron, Janine and Ellen Sandor. The Future of Video Games as an Art: On the Art of Playing with Shadows The University of Chicago Cultural Policy Center (2001).
Warren Neidich
Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
Art in Chicago: 1945-1995
1996
Warren, Lynne and Jeff Abell, ed. Art in Chicago: 1945-1995. New York, N.Y.: Thames & Hudson, 1996.
Art in Chicago: 1945-1995
1996
Warren, Lynne and Jeff Abell, ed. Art in Chicago: 1945-1995. New York, N.Y.: Thames & Hudson, 1996.
Art in Chicago: 1945-1995
1996
Warren, Lynne and Jeff Abell, ed. Art in Chicago: 1945-1995. New York, N.Y.: Thames & Hudson, 1996.
I Turtle? Thoughts and Paradoxes based on Su-Mei Tse's Ich-Manifestation
2006
Hauser, Jens. I Turtle? Thoughts and Paradoxes based on Su-Mei Tse's Ich-Manifestation In Su Mei-Tse, edited by Enrico Lunghi and Susanne Ghez, 167-185. Chicago: The Renaissance Society at The University of Chicago, 2006.
Stephanie Owens
Owens is an interdisciplinary artist, writer, and curator interested in the influence of digital networks and communication systems on contemporary aesthetics and the production of subjectivity. She is Director of Cornell Council for the Arts and
Michael Rodemer
Michael Rodemer's multifaceted education, acquired in the United States, Germany, and France, encompasses degrees in German, English, Comparative Literature, and Sculpture. This dual interest in the written word and in the "word-become-material" has
Visible Language 30.2 (1996): New Media Poetry: Poetic Innovation and New Technologies
2007
Kac, Eduardo, ed. Visible Language 30.2 (1996): New Media Poetry: Poetic Innovation and New Technologies. Chicago, USA: intellect, 2007.
ART -- WEIRD SCIENCE
2000
Andrews, Lori. ART -- WEIRD SCIENCE Chicago Magazine (August 2000): 22,24.
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