Archive Search

Benayoun, M.. 911 Bad, Mad, Glad, Sad Art et Culture(s) Numeriques (2012).

Alenka Domjan (ed.) and Andreja Rakovec. : Epilogue – space, body and media in transition Novo Celje Mansion, 26. 5. – 1. 10. 2017. Žalec: Institute for culture, sport and tourism Žalec (2017).

Berlot, Uršula. Bio-organic Systems. In: MUNZ, Thomas (ed.). Transmediale 08: Conspire: Festival for Art and Digital Culture Berlin Berlin: Kulturprojekte Berlin GmbH (2008).

Seaman, Bill. Neosentience and the Abstraction of Abstraction Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).

Strauss, Wolfgang and Monika Fleischmann. Intersections between Communication, Art and Technology - the CAT Study In New Media Culture in Europe: Art Research, Innovation, Participation, Public Domain Learning, Education Policy, edited by Frank

Prainsack, Barbara and Silke Schicktanz and Paul Vanouse and Gabriele Werner-Felmayer, ed. The Latent Figure Protocol—a Photo-essay in: Genetics as Social Practice: Transdisciplinary Views on Science and Culture. Farnham: Ashgate Publishing Ltd.,

Huhtamo, Erkki. The Dream of Personal Interactive Media: A Media Archaeology of the Spirograph, a Failed Moving Picture Revolution Early Popular Visual Culture 11, no. 4 (2013): 365-408.

Kluszczyński, Ryszard W.. art@science: About Relations between Art and Science In Towards The Third Culture: The Co-Existence of Art, Science and Technology, edited by Ryszard W. Kluszczyński, 32-42. Gdańsk: Laznia Centre for Contemporary Art,

Kluszczyński, Ryszard W.. From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna In Blue Morph: Victoria Vesna + James Gimzewski, edited by Marta Korga and Anna Zalewska, 5-9. Gdańsk: Baltic Culture Center,

Kusahara, Machinko. Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art In Coded Cultures. New Creative Practices out of Diversity, edited by Georg Russegger and Matthias Tarasiewicz and Michal