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Interactive Art: Where Are We Now?
2002
Sommerer, Christa. Interactive Art: Where Are We Now? In CyberArts2002, Vol.Hatje Cantz Verlag. , 70-75. Ostfildern-Ruit: Hantje Cantz Verlag, 2002.
Simon Biggs
1997
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1997
As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund
2000
Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.
Ort und Raum
1998
Wirths, Axel. Ort und Raum In Der elektronische Raum - 15 Positionen zur Medienkunst, edited by Gérard Goodrow and David Dunn and Axel Wirths, 12. Ostfildern-Ruit: Hatje Cantz Verlag, 1998.
Jeffrey Shaw - eine Gebrauchsanweisung - Vom Expanded Cinema zur Virtuellen Realität
1997
ZKM and Graz Neue Galerie, ed. Jeffrey Shaw - eine Gebrauchsanweisung - Vom Expanded Cinema zur Virtuellen Realität. Ostfildern-Ruit: Hatje Cantz Verlag, 1997.
Rejane Cantoni Leonardo Crescenti
Rejane Cantoni and Leonardo Crescenti based in São Paulo, have worked together as an artist duo since 2005. They have held numerous exhibitions in art institutions worldwide, including Ars Electronica in Linz, Berlin and México City, The Creators
March
1996
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1997
In his children's novel Haroun and the Sea of Stories, Salman Rushdie describes an Ocean of Streams of Story containing currents of narrative in fluid form, "weaving in and out of one another like a liquid tapestry of breathtaking complexity."
Das digitale Museum / The Digital Museum
1996
Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.
Das allusive Auge. Illusion, Anti-Illusion, Allusion
2003
Weibel, Peter. Das allusive Auge. Illusion, Anti-Illusion, Allusion In Fast Forward, edited by Ingvild Goetz, 10-12. Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Trigger
2002
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2002
"Part soft-core pornography, part political allegory and part Modernist play with media," Jordan Crandall's Trigger is a "sermon about masculinity, sex, surveillance, and violence." (Ken Johnson, The New York Times, 15 Nov 2002). "The work
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