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Sandquake
1969
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1969
Long lengths of polythene tubing were buried in the sand at a beach in the Camargue in France. This tubing was then slowly inflated so that it gradually rose up and erupted out of the sand.
Earth day impromtu
1990
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1990
EarthDay Impromptu (1990) was an event organized collaboratively. It included artists Eduardo Kac, Carlos Fadon and Irene Faiguenboim (Chicago) and Bruce Breland of the DAX Group of Carnegie Mellon University in Pittsburgh, among other artists in
Extimidad. Arte, Intimidad y Tecnología. / Extimacy. Art, intimacy and technology
2011
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2011
Inside the immense flow of data exchange, the new technologies have facilitated an interdependency between the spheres of what is private and what is public, between interior and exterior, leading us to reveal, in an increasingly natural manner, our
Quarxs
1989
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1989
video
Quarxs was one of the earliest computer animated series (3D Computer graphics, 12 films on total of three minutes each). Persiflage of science shows on TV, playful and fantastic exploration of digital graphics and questioning the order of things in
Two Origins, Relational Architecture 7
2002
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2002
"Two Origins" transforms the emblematic Place du Capitole by projecting the heretic "Book of Two Origins", a 13th century manuscript compiling the core theological beliefs of the dualist Cathars. Once a vibrant community in Toulouse, believers in
Artificial Paradise?Immersion in Space and Time
2018
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2018
Banz & Bowinkel, Ivana Bašić, Paul Chan, Frauke Dannert, Harun Farocki, Olga Fedorova, Johann Kniep, Marc Lee, Manuel Roßner, Gerriet K. Sharma, Jakob Kudsk Steensen, Addie Wagenknecht In autumn 2018, the Künstlerhaus, Halle für Kunst & Medien will
Field-Work@Alsace
2002
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2002
The project Field-Work@Alsace is a collection of interviews with local inhabitants and passengers around the border between France and Germany. Whole interviews are located in the place where the interview was done and replayed as it was done
TRANSFORMATIVE ECOLOGIES
2015
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2015
NORTH. TRANSFORMATIVE ECOLOGIES exhibition is an investigation into the changing patterns of contemporary ecologies, art and science. The exhibition showcases art science installations by artists who interpret environmental, biological and
The anagrammatical body and his medial construction
2000
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2000
In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
Conquistadores
2007
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2007
The digital animation "Conquistadors" examines the tensions and conflicts that define the Russian territory in the age of privatization. The artist reflects on current modes of domination, both foreign and domestic, on the Russian territory, and
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