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  • 2009 Tweakfest 09, InterFaces, Zürich: Medienfluss - Inszenierung eines Archivs. Medienkunst-Installation imTechnopark Zürich. 24./25. April 2009
  • Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
  • Deposits
    Orlow, Uriel. Deposits. Berlin, Zürich: The Greenbox, 2006.
  • Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.
  • Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.
  • Bismarck, Julius von and Julian Charrière and Eric Ellingsen. Some Pigeons Are More Equal Than Others. Zürich: Lars Müller, 2015.
  • Tina Sauerlaender (she/her) is an art historian, curator, speaker and writer. She holds a PhD from The University of Arts, Linz, Austria. The title of her dissertation is PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to
  • Michael Bielicky participate presenting projects that experiment with navigation, video-communication, virtual reality and data visualization technologies, often developed in collaboration with ZKM Karlsruhe, Ars Electronica Linz, High Tech Center
  • Alexander Hahn. Personal Records, 72 p. German/English. Zürich: Kunsthaus Zürich, 1995.
  • Robert Fischer and Michael LaChance and Alexander Hahn. Alexander Hahn - Electronic Media, 48p. German/English. Kunstreihe, Zürich: Pro Helvetia, 1989.