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  • Living Tattoos -
    CHI_Human Computer Interface - ACM
  • Vom Zen des Tauchens
    Grau, Oliver. Vom Zen des Tauchens Die Zeit (June 1997): 62.
  • Tracing -
    Tracing is a two screen projection installation that uses the two-sides of a wall positioned in the middle of the gallery room to contrast two states of cultural difference in the information age. Texts and ambient sounds are continuously projected
  • Lillian F. Schwartz
    Lillian F. Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality
  • No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan
    No Soul for Sale: A Festival of Independents Z.A.K For No Soul For Sale 2010 Friday 14 May 2010, 10.00–00.00 Saturday 15 May 2010, 10.00–00.00 Sunday 16 May 2010, 10.00–18.00 To celebrate Tate Modern's 10th anniversary, the gallery will host
  • Tate Modern
  • Electric Dreams -
    Electric Dreams will bring together an international network of more than 70 artists working between the 1950s and the dawn of the internet age.Liquid Views 1992, an interactive installation by Monika Fleischmann and Wolfgang Strauss, will invite
  • Virtual Romans: Virtual Reconstruction of Roman Leicester (Ratae Corieltauvorum) 210 AD
    Everitt, Dave and Nick Higgett and Emily Baines and Gerardo Saucedo and Eric Tatham. Virtual Romans: Virtual Reconstruction of Roman Leicester (Ratae Corieltauvorum) 210 AD VAST: International Symposium on Virtual Reality , no.
  • Spectropia -
    A work in progress , is an evening-length interactive media performance performed by two players with the the participation of audience members. Spectropia can also be presented as an interactive installation for two viewers at museums, festivals
  • This is not Art: Activism and Other 'Non-Art'
    Jelinek, Alana. This is not Art: Activism and Other 'Non-Art'. London: I.B. Tauris, 2013.
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