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  • Time Machines in the Gallery: An Archeological Approach in Media Art
    Huhtamo, Erkki. Time Machines in the Gallery: An Archeological Approach in Media Art In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas McLeod, 232-268. Cambridge, MA: MIT Press, 1996.
  • Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner
    Lintermann, Bernd. Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und
    Nik Haffner In Tanz Theorie Text, edited by Gabriele Klein and Christa Zipprich, 523-532. Münster, Hamburg, London: Lit Verlag, 2002.
  • Time Jitters in here! -
    Event: Time Jitters in here!Institution: Durden and RayComment:
  • Time Jitters
    "Time Jitters" is a two channel video that has been exhibited as a diptych as well as part of an interactive installation. Part 1 is a grid of twenty-five animations all of which loop at different rates becoming a cacophony of pulsing color and...
  • Time is money -
    Event: Time is moneyInstitution: Kasa GalleryComment:
  • Time in between -
    Time in Between features urban views from both Taipei and Paris. It documents a compressed 24 hours in these two places with 24 locations and 24 Taiwanese people strolling in Paris. By seamlessly overlaying urban images from the two cities at...
  • Time in Action -
    Event: Time in ActionInstitution: Louvre LensComment:
  • Time Capsule: Eduardo Kac on telepresence in memory, corporeality, and augmentation
    Kac, Eduardo and Samantha Mealing and Rachel De Joode and Herbert Gmoser. Time Capsule: Eduardo Kac on telepresence in memory, corporeality, and augmentation Archive of Digital Art.
  • Time Capsule -
    "Time Capsule" is a work-experience that lies somewhere between a local event-installation, a site-specific work in which the site itself is both my body and a remote database, a simulcast on TV and the Web, and interactive webscanning of my body....
  • Time Capsule
    Paul, Christiane. Time Capsule Intelligent Agent 2, no. 2 (1998): 4-13.
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