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  • Attended the Cooper Union School of Art and BA in Architecture in 1979. She then taught at the Cooper Union and has been Associate Professor of Architecture at Princeton, NJ, since 1990. The firm of Diller + Scofidio was formed in 1979. Elizabeth
  • Studium an der Cooper Union School of Art und 1960 BA in Architektur an der Columbia University. Professor of Architecture an der Cooper Union School seit 1965. Die Firma Diller + Scofidio gründeten sie 1979. Elizabeth Diller und ihr Ehemann,
  • Recorders is a major new exhibition by Mexican-Canadian electronic artist Rafael Lozano-Hemmer. The artworks in Recorders see, hear and feel the actions of people around them, using technology to create a playful yet ominous experience. This solo
  • These five lagoglyphic messages were transmitted towards the Lepus Constellation (below Orion) on March 13, 2009 from Cape Canaveral, Florida. Based upon its stellar characteristics and distance from Earth, Gamma Leporis (part of the constellation
  • Gray, Anne. Australian Art in the National Gallery of Australia. Canberra, AUT: National Gallery of Australia, 2002.
  • Barstow, Clive and Eleanor Gates-Stuart. StellrScope, the Centenary of Canberra’s Science Art Commission Imprint, Print Council of Australia Publication 48, no. 1 (2013).
  • Gates-Stuart, Eleanor. Stellrscope (Exhibition Catalogue). ISBN 978-1-4863-0088-4, Canberra: CSIRO, Australia, 2013.
  • I am a prolific painter with an interest in contemporary technology and its potential uses in art production. I am conscientious artist with a deep concern for communities (past, present and mythical), people, science and the role of the individual
  • Virtual Terms -
    Computer-controlled light installation with three LED bars Lower Austria State Academy, St Pölten (A), competition 1992, realization 1997 (after moving to the government district of St Pölten) The installation 'Virtual Terms' was designed for the
  • EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition