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  • The Mona Lisa of Modern Science
    Kemp, Martin. The Mona Lisa of Modern Science Nature 421 (January 23th 2003): 416.
  • La nature dans l´art
    Langlois, Monique. La nature dans l´art ETC Montreal 38 (Summer 1997): 17-21.
  • Videoschwelle -
    Video installation in public space In the context of the project Freizone Dorotheergasse (Wiener Festwochen and Galerie Metropol), Vienna (AT) In co-production with Gudrun Bielz The work 'Videoschwelle' was conceptualized as part of an exhibition in
  • Making of Eve Clone Portrait IAR/ 1-6 / QCC Art Gallery CUNY / New York / 2019 - video
    The six two-dimensional, digital print works Making of Eve Clone Portraits IAR, are extensions of Portrait of Eve Clone and Making of Eve Clone II. They convey that the facial proportions and poses of Eve Clone are similar to Leonardo da Vinci’s
  • The Science of the Beauties of Nature
    Matsuoka, Seigow. The Science of the Beauties of Nature. Tokyo: Shunjusha, 1994.
  • Nature II
    Ascott, Roy. Nature II In Esthétique des arts médiatiques, edited by L. PoissantVol.2. , 437-452. Quebec: Presses de l'Université du Québec, 1995.
  • Doug Aitken
    Born 1968 in Redondo Beach, California (USA); 1986-1987 studied at Marymount College, Palos Verdes, CA; 1987-1991 studied at the Art Center College of Design, Pasadena, CA. Aitken lives and works in Los Angeles (USA). Aitken belongs to a generation
  • Jörg Auzinger
    Joerg Auzinger’s art deals with the relationship between human, nature and the sociopolitical aspects of a technology-based communication society. Joerg Auzinger’s artistic work is situated between art, science and technology. In interactive
  • (collective) Banz&Bowinkel
    The computer allows us to simulate reality. Although the simulation itself is not real it inherits a certain power to become real. Today, it is increasingly normal to transfer simulated reality into physical reality. With the help of computers the
  • The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology
    Bredekamp, Horst. The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology. Princeton, NJ: Markus Wiener Publishers, 1995.
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