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  • Deleage, Jean-Rémi. Premiers pas dans la transparence Sciences et Avenir 591 (May 1996): 82.
  • Ars Electronica 2012 -
    2012 Prix Winners: Interactive Art: Honorary Mention: Marcello Mercado, "Löschen/DELETE", 2012
  • click on the base of the tree to write a message type a message in the text box click outside text box to store message in ribbon discard a message in the text box by clicking on the close button in the top left corner place ribbon on an empty
  • Marcello Mercado CAPITAL -> Case: Files deleted (Das Kapital -> Fall Dateien gelöscht), 1-channel video installation, 03 min. 05 sec., stereo 4:3 colour, 1999 http://vimeo.com/73331069
  • Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • Loc-reverb develops Colson’s themes of location and memory, concerns seen in an earlier CD-ROM "Mindtracker". Loc-reverb blends photography and moving elements to portray the artist’s interrogation of locations, in particular London. It presents the
  • Deleuze, Gilles. Das Bewegungs-Bild (Kino I). Frankfurt/Main: Suhrkamp, 1989.
  • Deleuze, Gilles. Das Zeit-Bild (Kino II). Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1996.
  • Spiller, Neil, ed. Cyber Reader: Critical Writings for the Digital Era. London, UK: Phaidon Press, 2002.
  • Zepke, Stephen and Simon O'Sullivan. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, 2010.