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Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions 2008

Diamond Sara and Marilouise Kroker. Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions In Critical Digital Studies: A Reader, edited by Arthur Kroker, 15. Canada: 2008.
010101 2001

Cutler, Randy Lee. 010101 Canadian a/r/t 18, no. 3 (Fall 2001): 118-120.
Canadian Identity: Region, Country, Nation 1998

Andrew, Caroline and Will Straw and Joseph Yvon Theriault, ed. Canadian Identity: Region, Country, Nation. Montreal: The Association for Canadian Studies, 1998.
Art as an Alternative to Education, or, The Rise of the Jam Factory 1972

Ascott, Roy. Art as an Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.
FUTURE WOOD. Innovation in Building Design and Manufacturing 2007

Beesley, Philip and Oliver Neumann, ed. FUTURE WOOD. Innovation in Building Design and Manufacturing. Toronto: Riverside Architectural Press / Canadian Design Research Network, 2007.
Shifting Perspectives: Sylvia Grace Borda 2020

Borda, Sylvia Grace and Jordan Strom and Liz Wells and Rebecca Travis and Dorothy Barenscott. Shifting Perspectives: Sylvia Grace Borda. Vol.ISBN: 978-1-77203-329-8.
“Subversive Cartography: challenging the accuracy of the official map” Catalogue essay for Virtual Net Art Museum Collection Canada (VMC) 2007

Alstad, Michael. “Subversive Cartography: challenging the accuracy of the official map” Catalogue essay for Virtual Net Art Museum Collection Canada (VMC) Gallery TPW (May 2007):
Janet Cardiff: Forty-Part Motet 2006 - 2006

The elegant 19th-century interior of the Rideau Chapel is once again transformed through Janet Cardiff’s extraordinary audio installation Forty-Part Motet, a contemporary reworking of Spem in Alium by the 16th-century composer Thomas Tallis.
European Media Art Festival 1999: Media Minds 1999 - 1999

From 5th to 9th May 1999, the 12th European Media Art Festival presents the diversity of contemporary innovative and experimental media art. The programme includes the work of established artists as well as contributions from creative laboratories
user_mode = emotion + intuition in art + design 2003

user_mode is an international, multidisciplinary symposium looking at interactive art and design practices. It examines how creative practitioners engage the emotions of the audience/user. What is meant by emotional engagement? Is it immersion,

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