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  • Likeness and Presence: A History of the Image Before the Era of Art
    Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. Chicago: University of Chicago Press, 1994.
  • A-positive
    Kac, Eduardo. A-positive In ISEA ´97 Program Guide, edited by The School of the Art Institute of Chicago, 62. Chicago: ISEA, 1997.
  • A-positive: Art at the Biobotic Frontier
    Kac, Eduardo. A-positive: Art at the Biobotic Frontier. Chicago: 1997.
  • Snow Yunxue Fu
    Snow Yunxue Fu is a US-based Chinese-born New Media Artist, Curator, and Assistant Arts Professor in the Department of Photography and Imaging at New York University Tisch School of the Arts. Using topographical computer-rendered images and
  • Michael Joaquin Grey
    Michael Joaquin Grey is an artist, designer, inventor and entrepreneur. His popular educational toy ZOOB has won honors from ID Magazine, Consumer Reports, Dr. Toy, Family Life Magazine, Astra and the American Toy Institute. Designed by Grey, ZOOB
  • How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information
    Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information. Chicago, London: University of Chicago Press, 1999.
  • Making PCR: A Story of Biotechnology
    Raboniw, Paul. Making PCR: A Story of Biotechnology. Chicago: University of Chicago Press, 1996.
  • Isabelle Jenniches
    Isabelle Jenniches (1971) received her Master's degree in Theater and Film Design from the Academy of Applied Art in Vienna, Austria, and a postgraduate degree in Digital Media and Fine Arts from Media-GN in Groningen, the Netherlands. After her
  • William Kentridge
    South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
  • Fernando Orellana
    Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
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