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  • Alan Dunn
    Dr Alan Dunn studied at Glasgow School of Art and The Art Institute of Chicago. He was curator of The Bellgrove Station Billboard Project (Glasgow, 1990-91), lead-artist on the tenantspin project (Foundation for Art & Creative Technology, Liverpool
  • Surface Tension
    Lozano-Hemmer, Rafael. Surface Tension In ACM SIGGRAPH, Visual Proceedings, Chicago, ILL: 1993.
  • Likeness and Presence: A History of the Image Before the Era of Art
    Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. Chicago: University of Chicago Press, 1994.
  • A-positive
    Kac, Eduardo. A-positive In ISEA ´97 Program Guide, edited by The School of the Art Institute of Chicago, 62. Chicago: ISEA, 1997.
  • Paul DeMarinis
    Paul DeMarinis has been working as an electronic composer since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has taught computer, video and audio art at Mills College,
  • Franz Fischnaller
    Franz Fischnaller was the co-founder of F.A.B.R.I.CATORS and is now the art and production Director. He is a Professor at the Università degli Studi di Firenze (University of Florence, Italy), and teaches art and multimedia on the Master of
  • A-positive: Art at the Biobotic Frontier
    Kac, Eduardo. A-positive: Art at the Biobotic Frontier. Chicago: 1997.
  • How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information
    Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information. Chicago, London: University of Chicago Press, 1999.
  • Making PCR: A Story of Biotechnology
    Raboniw, Paul. Making PCR: A Story of Biotechnology. Chicago: University of Chicago Press, 1996.
  • Echo Objects. The Cognitive Work of Images
    Stafford, Barbara Maria. Echo Objects. The Cognitive Work of Images. Chicago: University of Chicago Press, 2007.
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