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  • Isabelle Jenniches (1971) received her Master's degree in Theater and Film Design from the Academy of Applied Art in Vienna, Austria, and a postgraduate degree in Digital Media and Fine Arts from Media-GN in Groningen, the Netherlands. After her
  • South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
  • Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
  • Allison Kudla was born in the second month of 1980, her mother a preschool teacher, her father a college professor. At an early age she became interested in colorful floating patterns she saw in her room at night when she tried to sleep. She often
  • Stafford, Barbara Maria. Echo Objects. The Cognitive Work of Images. Chicago: University of Chicago Press, 2007.
  • Paul Thomas. Nanoart: The immateriality of Art. Chicago: Chicago Press, 2013.
  • Nideffer, Robert and Margot Lovejoy and Christiane Paul and Victoria Vesna. Context Providers: Conditions of Meaning in Media Arts. University of Chicago: University of Chicago, 2011.
  • Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Galloway, Alexander. Excommunication: Three Inquiries in Media and Mediation. Chicago: University Of Chicago Press, 2013.
  • Manovich, Lev. Tekstura: Russian Essays on Visual Culture. Chicago: University of Chicago Press, 1993.