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Signal Culture Cook Book
2014
McGovern, Tammy, ed. Signal Culture Cook Book. Owego, NY: Signal Culture, 2014.
Signal Culture Cook Book
2014
McGovern, Tammy, ed. Signal Culture Cook Book. Owego, NY: Signal Culture, 2014.
911 Bad, Mad, Glad, Sad
2012
Benayoun, M.. 911 Bad, Mad, Glad, Sad Art et Culture(s) Numeriques (2012).
: Epilogue – space, body and media in transition
2017
Alenka Domjan (ed.) and Andreja Rakovec. : Epilogue – space, body and media in transition Novo Celje Mansion, 26. 5. – 1. 10. 2017. Žalec: Institute for culture, sport and tourism Žalec (2017).
Manthos Santorineos
Dr. Manthos Santorineos (Athens Greece 1954) Digital media artist - researcher Emeritus professor at Athens School of Fine Arts Director of FournosLab Co-founder of the Fournos Multivalent Communication Network (1993) and the Mediaterra festival
Shirley Shor
Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
Corinne Whitaker
AKA the Digital Giraffe, with 46 years experience as a Digital Painter and Digital Sculptor. Editor, programmer, designer, author the Digital Giraffe eZine (www.giraffe.com), an award-winning monthly journal of art and culture now in its 30th year
Bio-organic Systems. In: MUNZ, Thomas (ed.). Transmediale 08: Conspire: Festival for Art and Digital Culture Berlin
2008
Berlot, Uršula. Bio-organic Systems. In: MUNZ, Thomas (ed.). Transmediale 08: Conspire: Festival for Art and Digital Culture Berlin Berlin: Kulturprojekte Berlin GmbH (2008).
Neosentience and the Abstraction of Abstraction
2013
Seaman, Bill. Neosentience and the Abstraction of Abstraction Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).
Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.).
2016
Lavoslava Benčić. Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.). Musicult '16 : III. International Music and Culture Studies Conference proceedings (May 2016): 64-68.
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