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Missing matter
1998
-
1998
... avant qu’il ne passe à l’acte. Un non-espace non-matière. Il prend
for
me en s’actualisant. L’architecture du virtuel c’est à la fois...
Can you see me now?
2003
-
2005
... using their own devices, as well as online. These social
for
ces have dramatic repercussions
for
the city. As the previously...
Revolution
1990
video
... in turn animates the images on its screen. A friction plate
for
ces the viewers to exert themselves physically. Turning the monitor...
Stages Elements Humans
1998
-
1998
... In a sense we are all encased in this space - we are
for
ced to think about the comparisons, concious or otherwise, that we...
William Kentridge
2004
-
2005
... artist whose multimedia works present an arresting and
for
ceful commentary on the contemporary cultural and sociopolitical...
Nuzzle Afar
1998
-
1998
... with a TrackBall as a navigation interface, and a microphone
for
conversation. Video cameras are placed near the screen, recording...
Crossing Talks
1999
... a whole. When the balance is disturbed, the tilt of the floor
for
ces the group to slide from one room to another. To stabilise the...
Laura Skocek
... in a sustainable way. In 2018, the interactive sound object
For
ced Leisure was presented at the Intersections symposium of the...
Where where there there where
1998
-
1998
...Enter the mechanics of a mind shot through by the
for
ces of elctromagnetism, language and logical torment. Inspired by the play Doctor Faustus...
Room of One`s Own
1990
-
1993
...ROOM OF ONE'S OWN (1993)
for
ces the viewers eyes to become immersed into the actual space of a tiny articulated interactive electronic peep...
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