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Illuminating Clay
2001
-
2002
... model. This combines the advantages of physical interaction with the dynamic qualities of graphical displays. (Source:
htt
p://tangible.media.mit.edu/projects/illuminatingclay/)
Voices
1993
-
1993
... from the nettleway Come to us on your hands He who is alone with the lamp Has only the hand to read from (source:
htt
p://www.littlepig.org.uk/)
Heaven
1992
-
1992
... of the angels/demons but also a large range of other images, which are dynamically composed on the ceiling. (source:
htt
p://www.littlepig.org.uk/)
Solitary
1992
-
1992
... the shapes appear to be shadows, but then resolve into the faces of young children, observing the viewers actions. (source:
htt
p://www.littlepig.org.uk/)
ComTouch
2001
-
2002
... communication. We also hope to devise a set of guidelines for designing touch-based communication devices. (Source:
htt
p://tangible.media.mit.edu/projects/comtouch/)
Audiopad
2001
-
2002
... into music and graphical feedback on the tabletop. Each object represents either a musical track or a microphone. (Source:
htt
p://tangible.media.mit.edu/projects/audiopad/)
Sensetable
2001
-
2002
... this platform. Our current work focuses on business supply chain visualization using system dynamics simulation. (Source:
htt
p://tangible.media.mit.edu/projects/sensetable/)
On sight
1991
-
1991
... of the body, both artistic and medical/scientific in nature. Exhibited at Academie Minerva, Groningen, Holland (source:
htt
p://www.littlepig.org.uk/)
Alchemy
1990
-
1990
... Berlin VideoFest, The Tate Gallery, VideoPositive, Liverpool, Rijksmuseum Twenthe, Interactions, Enschede, Holland (source:
htt
p://www.littlepig.org.uk/)
Supply Chain Visualization
2001
-
2002
... in this simulation, and recieve real-time feedback about how these changes affect the simulation as a whole. (Source:
htt
p://tangible.media.mit.edu/projects/scvis/)
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