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  • Face to Facebook - Hacking Monopolism Trilogy video
    ... their attached data) in a few simple categories. The categories are among the most popu...
  • Gamma und Amplitude. Medien und kunsttheoretische Schriften
    Weibel, Peter and Rolf Sachsse. Gamma und Amplitude. Medien und kunsttheoretische Schriften. Berlin: Fundus, 2004.
  • Sara Diamond
    ... Bachelors of Arts in History and Communications from Simon Fraser University. She is an...
  • Breathing Chaos -
    Year:2004 (short film, 8min 11sec) Sachiko Kodama Sound by Ippei Ogura Breathing Chaos is a short film that uses the dynamic forces of nature to suggest that life emerges from the expression of physical power. Themes include the chaos of
  • Sackgasse oder Pionierarbeit
    Kitzmantel, Silvia. Sackgasse oder Pionierarbeit Oberösterreichische Nachrichten (June 25th 1994).
  • Conversation Map -
    conversation map, 2000 http://hybrid.ucsc.edu/ConversationMap/ Website built with the Java and Perl programming languages Conversation Map summarises and visualises very large-scale conversations which take place online in mailing
  • Sachiko Kodama
    ... at University of Electro-Communications in Tokyo.
  • RESPONSIVE ARCHITECTURES: SUBTLE TECHNOLOGIES 2006
    Beesley, Philip and Sachiko Kirosue and Jim Ruxton and Marion Trankle and Camille Turner, ed. RESPONSIVE ARCHITECTURES: SUBTLE TECHNOLOGIES 2006. Toronto: Riverside Architectural Press, 2006.
  • Máquinas y almas: arte digital y nuevos medios -
    Curators: Montxo Algora y José Luis de Vicente. Artists: Antoni Abad, Amorphic Robot Works, Ángel Borrego, David Byrne, Daniel Canogar, Vuk Cósic, Harun Farocki, Paul Friedlander, Mark Hansen, David Hason, Pierre Huyghe, Theo Jansen, Natalie
  • Zur relativen Interpendenz zwischen bildlicher Wirkung und reflektierter Distanzgewinnung
    Grau, Oliver. Zur relativen Interpendenz zwischen bildlicher Wirkung und reflektierter Distanzgewinnung In Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildlicher Darstellungsformen, edited by Klaus Sachs-Hombach, 213-227.
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