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  • Ecloud WWI
    ... paradigm; the emphasis here is on personal affective engagement with cultural memory and on interface. © Jeffrey Shaw
  • Disillusionary Homage to Clovis Trouille -
    Slides of Clovis Trouille's paintings were projected over the buttocks of a replica of the leading lady in "Mes funérailles" (1940) and also onto a paper projection screen which was torn open by inflatable tubing during the performance. At the
  • Waterwalk Tube
    An inflatable tube made from transparent plastic, 250 metres long and 3 metres in diameter, was placed over the Mach lake connecting its opposite banks. This air-filled floating bridge had airlock revolving doors at each end, and its pliable floor
  • iC_inema 1
    iC_inema is an experiment in search of a completely new form of interactive cinema. With twelwe cameras a 360 degree panoramic view of the real world is recorded. Costum software combines the twelwe simultaneous recordings into a single panorama.
  • Place - Turkey
    ... specially from the archive of Kalan Music, one of the most important archives of ethnographic music in Turkey. © Jeffrey Shaw
  • Solo Exhibition -
    ... Fly Simulator, Neuro Mirror, Portrait in the Fly, Interactive Plant Growing, Noise and Smoke, Fly Portraits (of Jeffrey Shaw, Peter Weibel, Christiane Paul, Lynn Hershman, Erkki Huhtamo, David Familian, Roy Ascott and ChristaLaurent Self Portrait) -...
  • CMC Navigator
    ... of two spatial expressions that become physically and representationally aligned, albeit somewhat paradoxically. © Jeffrey Shaw
  • Slippery Traces: The Postcard Trail
    ...Legrady, George. Slippery Traces: The Postcard Trail In Artintact 3, edited by Jeffrey Shaw, 101-104. Karlsruhe: ZKM Karlsruhe, 1996.
  • The Lamb Lies Down on Broadway
    Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens
  • Kinetic Light and Mirror Sculpture video
    This sculpture enabled beams of light to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all
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