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Interfacing Cultural Heritage
1999
Fleischmann, Monika and Wolfgang Strauss and Vladimir Yelistratov. Interfacing Cultural Heritage In Proceedings of Eurographics Multimedia '99, edited by N. Correia and T. Chambel and G. Davenport: Springer Verlag,
1999
.
Antoine Schmitt
... festivals such as medi@terra (
1999
), Interférences (2000),...
5 YEARS
1999
-
1999
In this interactive narration, Mary, the protagonist is in a mental hospital. The story is divided in different parts, which follow each other in a random way. There are five pathways, but they can be combined between every sequence. Mary is never
Kunst als offenes Handlungsfeld / Art as open practice
1999
Weibel, Peter. Kunst als offenes Handlungsfeld / Art as open practice In Offene Handlungsfelder. Open Practices. Prassi aperta, Österreichischer Pavillon, 45. Biennale von Venedig, edited by Peter Weibel and Ecke Bonk, 9-21 and 22-35. Köln: DuMont
netomat
1999
video
... theater where they are surro
und
ed by a collage of streaming images,...
Arte audiovisiva
1999
...Abbado, Adriano. Arte audiovisiva (
1999
).
La importancia de los institutos mediaticos de caracter interdisciplinario
1999
Sommerer, Christa and Laurent Mignonneau. La importancia de los institutos mediaticos de caracter interdisciplinario In Cibervisión 99: Arte Ciencia Nuevas Tecnologias: I Muestra Internacional, edited by Karin Ohlenschläger, 34-41. Madrid:
Die Wirklichkeit des Bildes - Vom Spiegel zum Kunstbild
1999
Brandt, Reinhard. Die Wirklichkeit des Bildes - Vom Spiegel zum Kunstbild. München: Hanser Verlag,
1999
.
Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes
1999
Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag,
1999
.
Agents as Artworks and Agent Design as Artistic Practice
1999
Penny, Simon. Agents as Artworks and Agent Design as Artistic Practice In Human Cognition and Social Agent Technology, edited by Kerstin DautenhahnAmsterdam, NL: John Benjamins Publishing Company,
1999
.
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