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  • Dust -
    2012 LABORATORIA Moskow, Art & Science Space( 29th.March.2012 until 1th5 July 7.2012) Exhibition: "DUST," Curators: Daria Parkhomenko, Simon Mraz Artists: Herwig Weiser, Erwin Wurm, Christa Sommerer & Laurent Mignonneau, Dietmar Offenhuber, Markus
  • Dominic Harris (London, 1976) is an artist who uses technology to construct highly personal interpretations of the natural phenomena which surround us. His reverence for nature, coupled with his fascination for code, offers a surreal and whimsical
  • As part of Acevedo’s retrospective exhibition at Los Angeles Center for Digital Art, he organized and presented a Special Evening of EVM: Electronic Visual Music. It featured the musical acts, Rex Bruce, J3m5 (James Allen) and Hookah. A grouping of
  • Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
  • SMDK is a cross-disciplinary project by Knowbotic Research that results from an exchange of working techniques between media artists, computer musicians and computer scientists. The interactive environment SMDK consists of a data base containing
  • Relazioni Emergenti -
    It is an environment of artificial life where the individuals, represented by graphics filaments, are endowed with own intelligence and character. They can interact, exchange information and reproduce. Through the mechanisms of genetic mutations,
  • The Analog-Digital-Spiegel (programming by Reinhard Möller) shows how an analogue portrait (corresponding to sensory experience) changes into its digital (dismantled and computed) text base. A camera, which is integrated in the projection screen,
  • Emmer, Michele and Victor Acevedo and Valentina Barucci and Jos de May and Sandro Del-Prete and Robert Fathauer and et. al. Homage to Escher Leonardo 1, no. 33 (2000): 3-16.
  • "Semioptics for Spinoza", 2012 Shadow Object 3 computer, kinect, projector, metal, motor, arduino processor, lens projection: 68.9 x 48" / 175 x 122 cm wall mount: 28.4 x 17.3 x 11.8" / 72 x 44 x 30 cm "Semioptics for Spinoza" is the third
  • Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations. In Electroacoustic Music Studies Conference 2012, edited by Electroacoustic Music Studies