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  • IAMAS Artist In Residence Exhibition 2004-2005 -
    The Artist in Residence program is one of the programs started at IAMAS since establishment. Each year IAMAS invites outstanding artists from overseas to Japan, and supports their activities while on the program. There have been 16 artists who have
  • The interactive image: a media archaeology approach
    Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
  • Paragens
    Herkenhoff, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
  • Differenza ed estetica digitale: il glitch -
    Differenza ed estetica digitale: il glitchArtist: Francesco AprileComment:
  • The Telematic Moment
    Ascott, Roy. The Telematic Moment L´Estetica della Comunicazione (1987): 81-84.
  • Estética de la Tecnoética: El arte y la construcción de la realidad
    Ascott, Roy. Estética de la Tecnoética: El arte y la construcción de la realidad In Arte Virtual Realidad Plural., edited by Karin Ohlenschläger, 33-44. Monterrey, Mexiko: Museo de Monterrey, 1997.
  • Olga Kisseleva
    "The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
  • Mûcsarnok / Kunsthalle Budapest
  • Le moment télématique
    Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.
  • Differenza ed estetica digitale: il glitch
    Aprile Francesco. Differenza ed estetica digitale: il glitch. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
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