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  • Gregory Lasserre & Anais met den Ancxt - Scenocosme
    Gregory Lasserre and Anais met den Ancxt are two artists who work together as a duo under the name Scenocosme (www.scenocosme.com). They live in France. They develop the concept of interactivity in their artworks by using multiple kind of
  • Jane Tingley
    Jane Tingley is an artist, curator and Assistant Professor at York University. Her studio work combines traditional studio practice with new media tools - and spans responsive/interactive installation, performative robotics, and telematically
  • Le Labo - Centre d'arts médiatiques - Toronto (Canada)
    Event: Le Labo - Centre d'arts médiatiques - Toronto (Canada)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • Ruth Schnell
    Ruth Schnell is an Austrian media artist, professor for media arts and curator. She has been working with computer-aided tools since the mid-1980s. Her artistic research focusses on examining the perception of images/sound/language in connection
  • Maciej Wisniewski
    Maciej Wisniewski is an internationally respected digital artist and pioneer in network art. His art projects: netomat (1999), 4 Stories With a Twist (2004), 3 Seconds in the Memory the Internet (2002), Instant Places (2002), Streaming Conscience
  • Mois Multi / festival international en arts multidisciplinaires et électroniques - Québec (Canada)
    Event: Mois Multi / festival international en arts multidisciplinaires et électroniques - Québec (Canada)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • Inherent Rights, Vision Rights
    In the virtual-reality "Inherent Rights, Vision Rights" the participant explores a sacred ceremony in a traditional West Coast Native Canadian long house. The long house is occupied by music, fire and spirits, which the participant can interact
  • Lawrence Paul Yuxweluptun
    Lawrence Paul Yuxweluptun, graduated from the Emily Carr School of Art and Design in 1983 with an honours degree in painting. Yuxweluptun's strategy is to document and promote change in contemporary Indigenous history in large-scale paintings, using
  • The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère
    Tuer, Dot. The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère In Char Davies: Ephémère, edited by National Gallery of CanadaOttawa, ON, Canada: 1998.
  • ON GROWTH AND FORM: TEXTILES AND THE ENGINEERING OF NATURE, Catalogue of an exhibition held at the Textile Museum of Canada
    Beesley, Philip and Rachel Machenry and Evelyn Michalofski. ON GROWTH AND FORM: TEXTILES AND THE ENGINEERING OF NATURE, Catalogue of an exhibition held at the Textile Museum of Canada. Toronto: Textile Museum of Canada, 2001.
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