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Dio-Hirst alla Tate Modern: Mentre fervono i preparativi per la retrospettiva londinese, arriva l'applicazione in realtà aumentata che "celebra" l'artista inglese
2012
Tanni, Valentina. Dio-Hirst alla Tate Modern: Mentre fervono i preparativi per la retrospettiva londinese, arriva l'applicazione in realtà aumentata che "celebra" l'artista inglese Artribune (March 30, 2012).
Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell
2004
Kacunko, Slavko. Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell In Closed Circuit Videoinstallationen, edited by Slavko KacunkoBerlin: Logos, 2004.
back forward rewind – online exhibition for the 20th Anniversary of MediaArtLab
2020
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2020
Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI
Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner
2002
Lintermann, Bernd. Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner In Tanz Theorie Text, edited by Gabriele Klein and Christa Zipprich, 523-532. Münster, Hamburg, London: Lit Verlag, 2002.
The Messive
2010
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2018
Tapestry weaving on a base of binary code, gives an essential knowledge about our solar system, DNA, first 7 days of creation of Bible as a message for our descendants.
Das Wuibderkammer: A Cabinet of Curiositien
2003
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2003
Early solo show featuring seminal works, including painting that would become Jacquard tapestry, "Orange Alert".
Virtual Bodybuilding
1992
Penny, Simon. Virtual Bodybuilding In Virtual Zone Anthology, edited by Tapio Mäkelä and Minna VaisanenTurku: Turun yliopiston ylioppilaskunta, 1992.
AL GRANO: Framing Worlds
2015
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2015
AL GRANO: Framing Worlds deploys a staging of fact and ction where various registers of images, texts and objects, coexist. These digitally produced 2D and 3D pieces have as common element the manipulation of languages, histories and codes (the
Signals
2008
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2008
Realtime recordings of persons using their mouse are layered ontop of each other, divorced from their original context and then projected back into the gallery as an endless looping animation. The resulting monochromatic animation goads the viewer
House
2007
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2007
“House” by Stanza, is a dynamic public sculpture viewable over the internet. House is not a mute memorial to a related past but a live embodiment of change and renewal. House describes the space, a real Victorian terraced house, in this case, that
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