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  • With her installation "Über allen Wipfeln ist Ruh", Claudia Robles created a space of silence and contemplation, in order to make - in return - the extreme noise pollution almost painfully tangible: The Goethe-Institut Bogotá is located on one of
  • Ray, Tom. Netlife - das Schaffen eines Dschungels im Internet In Stadt am Netz, Ansichten von Telepolis, edited by Stefan Iglhaut and Armin Medosch and Florian Rötzer, 118-126. Berlin: Bollmann Verlag, 1996.
  • Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
  • Ursula Damm studied at the Art Academy in Düsseldorf, followed by postgraduate studies at the Academy of Media arts in Cologne. Early sculptures were models of space and time, developed in a bodily experience. In the 1990s installations were
  • Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before
  • RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
  • 40JAHREVIDEOKUNST.DE Teil 2 Joseph Beuys, Wolf Kahlen, Ulrike Rosenbach, Holger Czukay, Anna Oppermann, Klaus vom Bruch, Walter Schröder-Limmer, Bazon Brocks, Gerry Schum, Jörg Herold, Michael Morgner, Lutz Dammbeck, Ulrich Rückriem, Klaus Rinke,
  • Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Deep Storage, edited by Ingrid Schaffner and Matthias et.al. WinzenMünchen, London, New York: Prestel, 1998.
  • ARTIFICIAL GENESIS -
    Curator of the screening program: Eike Berg