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  • Manovich, Lev. Software Culture. Milan: Edizioni Olivares, 2010.
  • Manovich, Lev. Tekstura: Russian Essays on Visual Culture. Chicago: University of Chicago Press, 1993.
  • Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.
  • Since the 1980s, multimedia artist, composer, writer and educator Randall Packer has worked at the intersection of interactive media, live performance, and networked art. He has received critical acclaim for his socially and politically infused
  • Dinka Pignon is an interdisciplinary media artist working with spatial video installation and performance art. Her experimental practice is characterized by a strong affinity for the phenomenal, liminal, conceptual and minimal. Her work is situated
  • Shin, Ryan, ed. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement, 2016. University of Arizona: IGI Global, 2016.
  • Pearlman,Ellen. Surveillance Siddhi In Signal Culture Cookbook: Creative Media Recipes E-book, edited by Tammy McGovern, 101-103. Owego: Signal Culture, 2010.
  • Born in Essex, England, susan pui san lok lives and works in London. She graduated with a first in Fine Art from Bretton Hall, University of Leeds (1994), followed by an MA with distinction in Feminism and the Visual Arts, again from the University
  • BIO Warren Sack is a software designer and media theorist whose work explores theories and designs for online public space and public discussion. He is Associate Professor of Film and Digital Media; affiliated faculty with the Computer
  • Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.