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  • AKA the Digital Giraffe, with 46 years experience as a Digital Painter and Digital Sculptor. Editor, programmer, designer, author the Digital Giraffe eZine (www.giraffe.com), an award-winning monthly journal of art and culture now in its 30th year
  • Maciej Wisniewski is an internationally respected digital artist and pioneer in network art. His art projects: netomat (1999), 4 Stories With a Twist (2004), 3 Seconds in the Memory the Internet (2002), Instant Places (2002), Streaming Conscience
  • Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
  • Lunenfeld, Peter. Char Davies Art + Text 53 (1996): 82-83.
  • Lyall, Marta. Traversing the Wilderness of Body In Shifting Ground: Transformed Views of the American Landscape, edited by Rhonda Lane HowardWashington DC: Henry Art Gallery and University of Washington, 2000.
  • Allen, Rebecca. Fleeting Words In Cybermedia - Art Futura 91, Barcelona: 1991.
  • Lévy, Pierre. L´intelligence collective: Pour une anthropologie du cyberspace. Paris: La Découverte, 1994.
  • Yuxweluptun, Lawrence Paul. Inherent Rights, Vision Rights In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeod, 315-318. Cambridge, MA: The MIT Press, 1996.
  • Wilson, Stephen. Using Computers to Create Art. New Jersey: Prentice Hall, 1986.
  • Massumi, Brian and Rafael et. al. Lozano-Hemmer. Urban Appointment: A Possible Rendezvous With The City In Making Art of Databases, edited by Joke Brouwer and Arjen Mulder, 28-55. Rotterdam, NL: V2_ Publishers, 2003.