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  • Desxiframent del codi navajo amb Bill Toledo
    Andres E Burbano and Esteban García. Desxiframent del codi navajo amb Bill Toledo Artnodes: revista d'art, ciència i tecnologia (2015).
  • Konrad Zuse: enabler of computational arts?
    Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).
  • The interactive image: a media archaeology approach
    Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
  • Paragens
    Herkenhoff, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
  • Decode: Digital Design Sensations -
    Decode: Digital Design Sensations showcases the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations. The exhibition includes works by established international artists
  • Look at This -
    The exhibition LOOK AT THIS invites visitors to reflect critically on the multitude of links between a work of art, the public, the space and the institution. At the same time, the show questions firmly established (western) perceptions. LOOK AT
  • Digital Sustainability: From Resilience to Transformation -
    Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisis and the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in
  • Differenza ed estetica digitale: il glitch -
    Differenza ed estetica digitale: il glitchArtist: Francesco AprileComment:
  • The Telematic Moment
    Ascott, Roy. The Telematic Moment L´Estetica della Comunicazione (1987): 81-84.
  • Estética de la Tecnoética: El arte y la construcción de la realidad
    Ascott, Roy. Estética de la Tecnoética: El arte y la construcción de la realidad In Arte Virtual Realidad Plural., edited by Karin Ohlenschläger, 33-44. Monterrey, Mexiko: Museo de Monterrey, 1997.
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